Tag Archives: Lake Sunapee

Always Be Prepared

In photography being prepared can get you many shots you would otherwise miss. It stands to reason you need to have a camera with you, but what more do you need?

When I am driving, canoeing, or hiking I have a camera next to me or around my neck set for the next shot. How do I know what the next shot will be? I don’t, but if I have plenty of time to adjust my settings, frame, focus, and maybe use a tripod, then it doesn’t matter how I had my camera set before I decided to take the next picture. When the settings for the next shot matter is when I must shoot the next shot fast, with no time to adjust anything except perhaps to zoom and aim. Like when a moose ambles across the road. So I assume the next shot will be taken quickly, handheld, in the current light, of something moving.

So what settings do I use?  Aperture priority with the lens wide open, a high enough ISO for a reasonable shutter speed given the existing light, AF-C, VR/IS on, and multi-shot shutter mode are the main settings.

This is how I had my camera set a few days ago as it sat on the floor of our canoe between Jann and me. We were passing through “the narrows” between shore and an island when a boat sped past. I didn’t react as fast as I would have liked, but I did react fast enough to get the series of shots in the show below. They were shot at f/5.6, ISO 400, EC=+1/3, 1/1000 to 1/5000 second (set automatically by the camera), and with a 28-300mm lens set at around 100mm. The sequence here lasted less than 6 seconds.

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Photographing the Moon, Part 2

In mid-July I related some thoughts and gave some hints on photographing the moon, given the upcoming blue moon. I commented that I mainly photograph the moon opportunistically. That is, I almost never go out to try to get a photo with the moon in it. If I am photographing something else and the moon cooperates, I’ll take advantage of the opportunity. But last weekend, which I spend on Lake Sunapee, was different. I intentionally shot the moon and tried to put into practice some of the photographic suggestions I made. If you haven’t read the previous post you can find it HERE.

August 31, 2012 featured a blue moon. Specifically this was the second full moon in August, which is one of the two types (definitions) of a blue moon as described in the earlier piece.

In the previous post I suggested that the night of a full moon might not be the best time to photograph it if your intent is to both show detail in the moon and have a foreground that is lighter than a silhouette. I suggested: “To photograph a landscape to the west, it is best to shoot the day after the full moon at sunrise. To photograph a landscape to the east, plan your shot for the day before the full moon at sunset. At these times the moon will rise or set as the sun sets or rises, and you can get an exposure for the landscape that is close to the right exposure for the moon. And there will be some color in the sky which is normally a plus.”

The photo at the left was taken August 28, 2012, around 8 pm, three nights before the full moon. It was quite dark; this was an 8 second exposure at ISO 400 and f/13. So I got an adequate exposure for the lake and cabin, but no detail in the moon.

One day later, still two evenings before the full moon, the situation was much better. The photo at the right was taken around 6:30 pm, August 29. The both the sun and moon are in the sky together and the moon almost looks full. Fifteen minutes later the same evening I made the photo below.

Continuing with the “evenings before a full moon in the east” I took the two photos below the day before the full moon at around 7:30 pm less than 2 minutes apart. The eastern sky has color at sunset, there is sufficient light on the scene, and there is detail in a moon that certainly looks full, though it was not actually full yet.

Finally the full moon. The photo below was taken at 6 am the morning of the full moon. The sun hadn’t yet risen; the foreground is lit only by the early sky. Below this photo is a slide show of some photos shot the mornings of August 31 and September 1, 2012.


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Normally the best time to photograph a full moon setting in the west in the early morning is the day after the full moon. The moon will appear full and there will be enough light on the foreground to balance the bright moon so you can see detail in both the moon and the ground. The three photos below were all taken the morning of September 1, 2012, the day after the full blue moon.

The top photo on the left below was taken around shortly before sunrise. The second photo on the left was made about 30 minutes after sunrise. The photo on the right was taken 5 minutes after that. Although the images here are small and it is hard to tell, there is detail in the moon in all three photos.

The following image of the moon was taken August 30, 2012, but that isn’t the key element here. How did I create this image? For those of you who understand Photoshop, a quick summary of the steps involved follows the image.

The above image is a composite of three photos of the moon, each shot with a shutter speed of 2.5 seconds. In each case I moved the camera randomly during the exposure. I combined the three in Photoshop using the Lighten Color Blending Mode. I created a fourth layer of the result (“stamp visible”) and slightly transformed that layer to fill the frame a bit better. Minor adjustment layers followed. Perhaps I could have gotten something similar with a lower ISO and one 10 second exposure and avoided using PS, but this is what I did. I was just playing, I just took 4 photos like this, and after the fact when I saw what resulted I combined three of them.

If you are interested in Photography you might enjoy visiting and “liking” my more-active Facebook photography page Tug Hill Photography.

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Summertime

The slide show in this post is an abbreviated version of the 8-minute self-running show I brought to the August meeting of the Quechee Area Camera club. The photos were taken between July 11 and August 10, 2012. The theme is Classic Summertime.

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Training for the Claassen Northeast Kingdom Lakes Century Tour

The 14th Annual Terry & Ben Claassen Memorial Northeast Kingdom Lakes Century Tour will take place tomorrow, September 17. It will be my third century ride of 2011 after The Prouty and a training ride for The Prouty. Like I did for the 13th Claassen, I plan to leave Crystal Lake State Park in Barton, VT as early as they will let me (presumably 7 am), ride at my own pace (slower than most) and take some photos with my LX5 that will be around my neck for most of the ride. If I would have realized last year how hilly this ride is (6600 feet of climbing) I might not have entered. But I will be back tomorrow for another punishing 100 mile ride. Weather promises to be sunny and cool with thankfully less wind than last year.

After The Prouty I explored Andover, NH and other NH spots with my mountain bike. Then on the last day of August I climbed on my road bike for the first time since the July 9th Prouty and started training for the Claassen. I rode mostly in the Sunapee, New London, Wilmot, Sutton, Bradford, Warner, Henniker areas, with some rides farther afield. The rides varied in length between 27 and 80 miles. Most were fairly hilly. Here are some of the photos I took during these rides.

I often started very early in the morning from Burkehaven Harbor in Sunapee. After pumping my tires I looked up and saw the sky. Grabbing my LX5 I made several three shot panoramic images at waters edge. Here is one. 

As I rode along Lake Avenue the sun was just beginning to emerge across the lake lighting the side of Mount Kearsarge—or was that light just flare in the photo I took? There are many homes along this road so view spots are few, but I found one for this photo.

Typically I climb to Springfield or New London before speeding downhill to Wilmot or Sutton. This photo makes it look like I ride on grass. I don’t; the wheel was stationary on grass when I took this photo moving the camera in an arc during the exposure.

Sometimes I stop at the Waterloo Covered Bridge in Warner after riding the beautiful Roby Road. Here are a few photos I took one visit.

Farther along I saw what looked like a yard sale covered for the night.I would often stop for a bagle at the St. George Cafe in Henniker.Passing through Newbury and Sunapee often revealed colorful motifs.

Water is a prominent feature in many of my scenic photos—especially if the water is moving or reflecting fall foliage. And around water the foliage is often quite colorful by mid-September. Here is a slide show of photos I took of some of the water bodies along my routes.

Returning to Lake Sunapee after one ride revealed a beautiful sky—a nice end to a long ride.

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